The Dia Al-Azzawi Prize for Public Art, established in 2021, is the region’s sole award dedicated to recognising transformative artworks within urban contexts. This prestigious prize honours the artists and architects reshaping public spaces, fostering dialogue, and enriching communities through creative and contextual interventions. It holds significant importance in the cultural landscape, celebrating those who push the boundaries of public art in the Arab World and beyond.
In this series of interviews, we meet the finalists shortlisted for the 2024 Dia Al-Azzawi Prize. These artists and designers have demonstrated a profound ability to engage with urban environments, turning them into platforms for expression, connection, and change. Their work challenges conventional perceptions, inspires public interaction, and leaves an indelible mark on the cities they touch. Join us as we explore their journeys, inspirations, and the impact of their extraordinary creations.
The following interview features Shouq Al Mana, a contemporary Qatari artist. Her art explores themes of culture, unity, and identity, merging elements of the past and present to create a dialogue about heritage and contemporary art. Here, Shouq discusses her sculpture “Egal,” addressing its symbolism and importance.
How does the sculpture “Egal” symbolize the unity demonstrated by Qatar’s citizens, residents, and leaders during the 2017 blockade?
Egal serves as a tribute to the unity displayed during the 2017 blockade. The sculpture embodies the collective resilience of Qatar’s people during that period, incorporating elements that reflect both traditional and contemporary aspects of our culture. It represents the strength and cohesion of our community in overcoming adversity.
What is the significance of the varying heights incorporated in the sculpture, and how do they relate to generational involvement?
The varying heights in Egal symbolize the contributions of different generations. Each height represents a distinct perspective and role, illustrating how various generations are integral to our cultural heritage. This design highlights the collective effort of both past and present generations in shaping our identity.
Why stainless steel? How did the choice of material contribute to the overall aes- thetic and meaning of the sculpture?
Stainless steel was selected for its durability and reflective qualities. The material’s strength reflects the resilience of the people it represents, while its reflective surface symbolises the interconnectedness of our community. This choice underscores the themes of enduring strength and unity.
How does the sculpture convey the symbolic gesture of raising the egal, and what does this gesture represent?
Raising the egal in the sculpture represents a gesture of solidarity and respect. It acknowledges the unity and appreciation towards Qatar’s leadership and citizens during the blockade.
What challenges were encountered during the fabrication and installation of the sculpture?
The fabrication and installation of Egal involved technical challenges with stainless steel and ensuring the piece’s structural integrity. Coordination for the installation required careful planning and collaboration, which provided a significant learning experience.
How has the public interacted with the sculpture, and what impact has it had on the community’s sense of unity and cultural identity?
The public’s interaction with Egal has been overwhelmingly positive, with many finding a deep connection to its themes of unity and identity. The sculpture has reinforced a sense of pride and collective identity within the community.
Majority of submissions received this year for the Dia al-Azzawi Prize for Public Art were from women. What are your thoughts on this?
The increase in female submissions for the Dia al-Azzawi Prize reflects a broader trend towards greater inclusivity in art. It underscores the diverse voices and perspectives women bring to the field, highlighting the importance of representation.
What are you working on now?
I am currently exploring new concepts and working with different materials. I focus on creating works that pay homage to my culture’s past while integrating a contemporary approach. These projects allow me to explore fresh ideas and evolve my artistic practice. I am excited about the opportunities to share these works with a broader audience and contribute to ongoing conversations in the art world.
Meet our other finalists: Alaa Maan, Dalal Mitwally, Mais al Azab, Manal AlDowayan, Najla El Zein, and Dana Awartani.
Meet Our Finalists series is a compilation of interviews with those who have been shortlisted for our awards. Shouq Al-Mana is a finalist for the Dia Al Azzawi Prize for Public Art, which awards artworks within the urban context that have had a transformative impact on their communities in the Arab World