Dia al-Azzawi Prize for Public Art
جائزة ضياء العزاوي للفن العام
In 2021 Tamayouz Excellence Award launched its newest award, the biennial Dia al-Azzawi Prize for Public Art, which is part of Tamayouz Excellence Award’s programme of championing and celebrating the built and urban environment worldwide. The new award is named after the internationally celebrated Iraqi artist Dia al-Azzawi, one of the pioneers of modern Arab art, and will run biennially.
- Recognise artworks within the urban context that have had a transformative impact on their community.
- Empower and support young and emerging artists, architects, designers and studios.
- Respond to a challenging phase for public art in the Near East and North Africa — where there is a crucial need for a more accomplished and exemplary contemporary evaluation and assessment of work.
- Create educational material in Arabic and English based on the academic review, analysis and research undertaken on the submitted entries.
- Introduce emerging and established regional artists to a broader community, nurturing a long-lasting network and community of like-minded individuals interested in the betterment of regional urban environments.
- Establish dialogue with local authorities responsible for public art to enhance public art in the Middle East and North Africa to that of an international level of excellence.
The Dia Azzawi Prize for Public Art seeks transformative permanent and temporary projects of all types, ranging from murals, sculptures, monuments, installations, public spaces, graffiti, architecture and planning. These artworks should not be exhibited in private spaces or as part of private collections, but rather in public spaces to ensure their accessibility to wider communities.
Submissions may include individual public artworks or coherent bodies of work presented as a single public art intervention. Conventional gallery exhibitions or indoor exhibitions are not eligible unless they form part of a wider public space intervention.
To be eligible for consideration, projects must be completed between 1 January 2019 and 31 December 2025 and should have been Exhibited for a while, thereby verifying their impact on the surrounding environment.
There are no restrictions on the type, nature, or cost of public art projects, but eligible projects must be based in any of the following countries: Algeria, Bahrain, Djibouti, Egypt, Iraq, Jordan, Kuwait, Lebanon, Libya, Mauritania, Morocco, Oman, Palestine, Qatar, Saudi Arabia, Somalia, South Sudan, Sudan, Syrian Arab Republic, Tunisia, United Arab Emirates, Yemen.
The winner of the Dia al-Azzawi Prize for Public Art will receive a statue and medal designed by Dia al-Azzawi. If the winner is a team, each member will receive a medal, while the whole team will receive one statue. Travel and flight expenses to attend the annual ceremony will be covered for the winner only (if the winner is a team, then they must select a representative to cover their travel costs).
Criteria: Excellence is the fundamental criterion of the Dia Azzawi Prize for Public Art.
This excellence is demonstrated through a project’s transformative impact on its environment, its accessibility to diverse publics, and the quality of its design, narrative, public engagement, use of materials, and technical execution.
Particular attention is given to public art projects that embody the spirit or collective sensibilities of contemporary life. Projects that reflect collaboration and collective processes are strongly encouraged.
The jury will assess submissions holistically, considering conceptual strength, public impact, accessibility, technical resolution, and the quality of representation.
Regarded as one of Iraq’s greatest artists, Dia al-Azzawi started his artistic career in 1964, after graduating from the Institute of Fine Arts in Baghdad and completing a degree in archaeology from Baghdad University in 1962. In 1969, Azzawi (with Rafa Nasiri, Mohammad Muhriddin, Ismail Fattah, Hachem al-Samarchi and Saleh al-Jumaie) formed the New Vision group (al-Ru’yya al-Jadidah), uniting fellow artists ideologically and culturally as opposed to stylistically. Through his involvement with the New Vision group, Azzawi found inspiration in contemporary subjects and issues, particularly the plight of Palestinians. He was also briefly a member of Shakir Hassan Al Said’s One Dimension group (Jama’t al-Bu’d al-Wahid). From 1968–76, Azzawi was the director of the Iraqi Antiquities Department in Baghdad. He has lived in London since 1976, where he served as art advisor to the city’s Iraqi Cultural Centre, from 1977–80. Azzawi’s move to London led him to rediscover book art (dafater), an art form that he has encouraged other artists from Iraq and the region to explore. As well as his painting practice, Azzawi also works in sculpture, tapestry and printmaking.
Azzawi’s artwork has been exhibited worldwide including a comprehensive retrospective held at Mathaf, Doha in 2016. His work has been collected by numerous prestigious museums and institutions including Barjeel Art Foundation, Sharjah; Bibliothèque Nationale de France, Paris; British Museum, London; Colas Foundation; Foundation ONA, Casablanca; Calouste Gulbenkian Collection, Lisbon; Guggenheim, Abu Dhabi; Institut du Monde Arabe, Paris; Jordan National Gallery of Fine Arts, Amman; Kinda Foundation, Riyadh; Library of Congress, Washington D.C.; Los Angeles County Museum (LACMA), Los Angeles; Mathaf: Arab Museum of Modern Art, Doha; Museum of Modern Art, Baghdad; Museum of Modern Art, Damascus; Museum of Modern Art, Tunis; Sharjah Art Foundation, Sharjah; Tate Modern, London; Victoria and Albert Museum, London and The World Bank, Washington, D.C.